ARTICLES
Gisèle VENET : « Ce n'est plus thym ny marjolaine » As You Like It, ou l'atelier de la réécriture
Juan de Dios TORRALBO CABALLERO : "I drink to thee": Female agency and female authority as gender reversal in "The Unfortunate Happy Lady"
Pauline PILOTE : “Knight Errantry Run Wild,” or Chivalry Revisited in Fenimore Cooper’s and Washington Irving’s Narratives
Aurélien SABY : W.H. Auden and the Poetics of Transport
Julien ALLIOT : The Uncomely Comedy: Celebrating the Divided Subject in Contemporary British Drama
Alexis TADIÉ : « There was a case once— » : L’écriture du cas chez Kipling
COMPTES RENDUS
Anna PLASSART, The Scottish Enlightenment and the French Revolution (S. Kleiman-Lafon) — Daniel COOK et Nicholas SEAGER (eds.), The Afterlives of Eighteenth-Century Fiction (A. Hudelet). — Simon KÖVESI and Scott McEATHRON (eds.), New Essays on John Clare: Poetry, Culture and Community (J. Elprin). — Frédéric DUMAS, Mark Twain. Tourisme et Vanité (Th. Constantinesco). — Annmarie DRURY, Translation as Transformation in Victorian Poetry (J. Vatain-Corfdir). — JeanPierre NAUGRETTE, Détections sur Sherlock Holmes (L. Folliot). — Josephine MACHON, Immersive Theatres. Intimacy and Immediacy in Contemporary Performance (E. Angel-Perez). — Sarah ILOTT, New Postcolonial British Genres: Shifting the Boundaries (C. Beaufils).
